Andrea Zacchia’s ‘Anemoia’ is a captivating album that blends modal jazz and post-bop grooves with a cinematic feel. Leading a Hammond trio with Pietro Caroleo on organ and Maurizio De Angelis on drums, Zacchia creates a soundscape that drifts between real memories and imagined moments—what he calls “anemoia”, a longing for a time never lived but deeply felt. The album opens with “Reveries”, a smoky and atmospheric piece that perfectly captures the restless energy of a late-night city scene, setting a reflective and immersive tone. Following this, the trio breathes new life into jazz classics like Sonny Rollins’ “Oleo” and Wes Montgomery’s “Full House”, balancing respect for tradition with their own vibrant touch.
Original compositions like “Abendrot” and “Blues for Wes” showcase Zacchia’s lyrical phrasing and the trio’s chemistry. “Abendrot” unfolds gently, evoking soft twilight hues through delicate melodies, while “Blues for Wes” stands as a heartfelt tribute filled with warmth and playful rhythms. The inclusion of Carl Perkins’ “Groove Yard” adds a soulful groove that keeps the album grounded in jazz’s rich roots while allowing room for fresh improvisation. Each track flows into the next with a natural sense of pacing, moving from contemplative moods to more dynamic exchanges between guitar, organ, and drums.
As the album nears its close, “Longato” brings a personal touch, weaving together Zacchia’s early rock influences with his refined jazz language to create a vivid and expressive soundscape. The closing track, “Zefiro”, named after a gentle wind, offers a spacious and calming finale, with airy melodies that linger softly. Throughout ‘Anemoia’, Zacchia and his trio strike a delicate balance between technical skill and emotional depth. The album is both a reflection on the past and an imaginative leap forward, inviting listeners into a world that feels at once familiar and new. It’s a thoughtful, beautifully crafted record that highlights Zacchia’s unique voice in contemporary jazz.
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