Stray Owls have crafted a remarkable album with “When the Going Gets Weird”, an adventurous exploration that reflects their growth as artists during a challenging time. This North Carolina trio has stepped outside their comfort zone, incorporating a diverse range of instruments and styles into their sound. Here’s a track-by-track look at this intriguing collection. The album opens with “Hey Now Now”, a psychedelic delight that instantly draws you in with its jangly guitars and dreamy vocals. The melody is infectious, setting a vibrant tone for what’s to come. “Daylight” follows with a more grounded vibe. The arrangement is lush, filled with layered sounds that create a warm atmosphere. The lyrics convey a sense of yearning and reflection, perfectly complementing the instrumentation.
Next is “Moonlight Shadows”, where the band leans into their folk roots. The track has a haunting quality, enhanced by Scott Griffiths’ emotive vocals and Brian Sink’s evocative piano. It strikes a delicate balance between light and darkness, making it a standout. “Knot Exactly” offers a different energy, showcasing a playful arrangement with quirky instrumentation. The upbeat tempo and catchy chorus invite listeners to engage and sing along. “Whatever Afterglow” shifts gears into a post-rock territory, building tension through its layers of sound. The instrumentation swells and recedes, creating a sense of movement that feels both expansive and introspective. “Another Lost Mind” returns to a more lyrical focus, with lyrics that explore feelings of confusion and disconnection. The instrumentation remains rich, allowing the vocals to take center stage. “Mandlin” features a unique blend of acoustic textures, giving it an earthy feel. The use of mandolin adds a fresh twist, providing a lovely contrast to the band’s typical guitar-driven sound. “Ballad of a Middleman” stands out with its poignant lyrics. The themes of existential questioning and societal roles are presented over a catchy melody, making it both thought-provoking and enjoyable.
In “Elemental Static,” the band experiments with spoken word, featuring Corbie Hill’s meditation against a backdrop of soundscapes. The juxtaposition of noise and calm creates a fascinating listening experience. “Larry David Lynch” introduces a more experimental approach, with off-kilter rhythms and unexpected twists. It’s a bold move that pays off, showcasing the band’s willingness to take risks. “Scapegoats” returns to a more melodic structure while maintaining an experimental edge. The track builds gradually, creating an atmospheric sound that feels immersive and engaging. The album closes with “Keep Doing What You’re Doing”, a fitting finale that combines the themes explored throughout the record. The hopeful lyrics and uplifting melody leave listeners with a sense of resolution. Overall, “When the Going Gets Weird” is a testament to Stray Owls’ evolution as musicians. The album invites listeners to embrace the unconventional, showcasing a rich tapestry of sound and emotion. Each track offers something unique, making this album a rewarding listen from start to finish.
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