Noam Shapira’s ‘New Old Music’ opens with “In the Beginning”, a track that sets the tone for the album with its smooth blend of jazz influences and rock elements. The piano and bass interplay seamlessly, establishing a rich yet understated foundation. The track feels like an introduction not just to the album but to Noam’s musical journey, echoing the theme of growth and change that runs throughout the project. Its simplicity allows for an easy entrance into the rest of the album, with just the right amount of complexity to keep listeners engaged.
As the album moves into “The Covid Hotel” and “Kapikiri”, Noam pushes the boundaries of genre, combining funky rhythms with a relaxed, jazzy flair. These tracks showcase his ability to experiment with his style, incorporating unconventional elements that give the music a unique edge. “The Covid Hotel” feels especially introspective, with its reflective mood resonating through the subtle yet powerful instrumentation. “Kapikiri”, on the other hand, takes a more lively approach, injecting energy into the mix with its rhythm section and creative use of melody. The collaboration between Noam and his long-time bandmates is evident in these songs, with each member contributing to the vibrant atmosphere that defines these tracks.
“Producing”, “Slick Fish”, and “Night Drive” offer a more experimental side of Noam’s sound. “Producing” explores layered rhythms, while “Slick Fish” introduces an intriguing balance between playful melodies and more serious undertones. “Night Drive” is perhaps the most atmospheric track on the album, with its smooth, almost cinematic feel, perfect for a late-night listen. Finally, “Taltalit’s White Stripes” brings the album to a fitting close, wrapping up the musical themes with a touch of elegance. This track, like many others on the album, speaks to Noam’s ability to fuse diverse genres into a cohesive and emotionally resonant work. Overall, ‘New Old Music’ is a dynamic, reflective, and multi-faceted album that rewards repeat listens.
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